The first part of the theory is that of Divine Intervention - this organism the easier of the devil parts to explain.
This works off the idea that or so manner of God or All-Powerful Force does in truth exist. Divine Intervention is, therefore, the notion that this God elicit duck the piece either through direct or verificatory displaceion.
In the text and film, for instance, the Ghost comes as a messenger from this God, incite Hamlet to do its will. This is both an example of direct bode intervention - in the appearance of the Ghost; and indirect manufacturing business intervention - as the God uses Hamlet to carry verboten its deeds.
The second part of the concept is the Natural couch of the world. This can be brought down to its base form as: What is supposed(a) to happen. Unfortunately, it isnt that simple. The Natural Order exists always, however is not always followed. This breaking away from the Order is usually the result of Human Intervention, developing one of two outcomes.
These are: either the Natural Order is re-aligned, or the world remains a corrupt and terrible place until much(prenominal) time as the first outcome is realised. So, the world is repaired, or an unending loop of badness ensues until it is.
In the play, the Order was broken when Claudius killed queen mole rat Hamlet, and from the opening lines the wrongness that lingers in the air is noted, setting the mood for the oddity of the play: ...tis bitter cold and I am low-spirited at heart. (I,1,8-9) said Francisco as he was relieved from watch-duty. Also, in the film, these words are greatly aided in their exercise by the images of snow-covered Denmark. Another line, in the fourth act: something is rotten in the state of Denmark (I.4.67) reaffirms this...
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