Linda Nochlin, Impressionism And Post-impressionism 1874-1904

The critics and the public agreed the Impressionists couldn t draw and their colourize were considered vulgar Their compositions were distant . Their short , slapdash brushstrokes made their winderings practically illegible . wherefore didn t these artists take the time to finish their canvases , viewers wondered ? Indeed , Impressionism stony-broke every rule of the French Academy of Fine humanistic discipline , the conservative school that had dominated art training and experiment since 1648 Impressionist scenes of modern urban and country life were a far cry from the Academic efforts to teach moral lessons finished historic mythological , and Biblical themes . This tradition , drawn from antique Greek and Roman art , featured idealized images . proportionate compositions , hard outlines , and meticulously smooth paint surfaces characterized academic paintings . notwithstanding the Academy s power , seeds of artistic and semipolitical unrest had been sown long before 1874 . The early- and mid-19th century was a time of political instability in France Between 1830 and 1850 , the population of Paris doubled . During the vicissitude of 1848 , Parisian workers with socialist goals overthrew the monarchy , only to see conservatives set aside the reins of government later that year .

Fear of further uprisings created far-flung distrust among the aristocracy , the poor , and the newly prosperous bourgeoisie or middle classAt the same time , the far-reaching Industrial Revolution fostered a new faith in the individual and his unmeasured potential . Romantic painters such as Eugine Delacroix began to celebrate personal identity in terms of painting technique with warm colors and vigorous brush- strokes . Delacroix s journals would later provide ideas about color opening and painting techniques to the Impressionists . Later in the 19th century , Barbizon educate painters Corot , Millet , and Rousseau abandoned classical studio themes to go outside and paint the landscape around them . Realist Gustave Courbet , a mentor to several Impressionists pied the rural poor just as he saw...If you need to get a full essay, order it on our website: Orderessay

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