In Amy Tans story Two Kinds, excerpted from the authors longer unexampled The Joy Luck Club, a Chinese-American fille Jing-mei (June) is forced to feed the piano, because her mother is determined that her girlfriend must become a prodigy at something. Rather than responding to her daughters needfully and interests, Suyuan Woo instead imposes her own emotional needs upon her daughter. In the intensely competitive environment of the Chinese-American community where the Woos reside, Suyuan is eaten up with green-eyed monster at Waverly Jong, a chess prodigy who is a local celebrity. Suyuan is not particularly interested in the piano, but she wants June to excel at something, and after seeing a Chinese-American girl act on the Ed Sullivan Show, she obtains lessons for her daughter.
Imposing an interest upon her daughter, regardless of her daughters aptitude or inclination is Suyuans early mistake. Her second mistake is stressing that her daughter must excel at this new endeavor. Merely trying her best is not affluent: she wants June to be perfect. This is despite the fact that even many sharp individuals were not prodigies when they first attempted their art, sport, or activity.
June feels so pressured she decides to pull in up even before she really tries because her mothers standards are so high. Also, because music is imposed upon June like a school assignment, she derives no joy from practicing. Suyuan believes she can bully her daughter into becoming the woman she would like her to become. In contrast to June, Waverley seems to have had an actual, instinctive interest in and gift for chess, which is why the sight of her prowess is so much more natural. For June, anxious to enamor to her own, independent American identity, resisting music and her mother becomes a squiffy source of self-definition. Ironically, art and music are often notion of as inspirational activities for understanding the self, but because of the way...If you want to get a full essay, order it on our website: Orderessay
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