In the two texts Medea by Euripides and A Dolls House by Henrik Ibsen, marriage is the focal point most which becomes the crux of the tragedy. Medea and A Dolls House atomic number 18 set in different eras, but Medea and Nora, the mind protagonists of the stories respectively, come on themselves in marriages that sport difficulties and complications and even betrayal. The husbands wield power over their wives because society permits them to do so. Both the stories, whose protagonists are poles apart in nature, are expertly narrated. On one side we have a fiery Medea plotting against her infidel husband while, on the another(prenominal)wise side, we have an apparently submissive Nora who gilds her marriage with sugary deception.
Henrik Ibsens play A Dolls House dances virtually what approve is, what a marriage is and what comprises a healthy marriage. The chief protagonist of the play, Nora, is a bubbly, cheerful, full-of-life woman who is completely in love with her husband, Torvald Helmer.
In the play Nora and Torvald exist in their marriage in stereotypical roles of their time. Torvald is the breadwinner and head of the household who is also in shake up of taking care of Nora, scolding her when she spends money carelessly and retention her under his control at all times. On the other hand, Nora is expected to sing and flit about the house at the convenience of her husband and be dependent on him at all times. But when he retreats into his study she is not to reorganize him.
In contrast to Henrik Ibsens play, in Euripides Medea the relationship among Medea, the mythological enchantress and her husband Jason, a heroic stick out looked up to by everyone, is not as clearly...If you want to give a full essay, order it on our website: Orderessay
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