currently there is an exhibition at the National Gallery of Art called Paris in Transition, which offers a compilation of word picturegraphs depicting Paris in a variety of surroundings. For the purposes of this paper, I choose to centering on the artwork of Ilse Bing (1899-1998) and Eugene Atget (1857-1927), both of whom were distinguished French photographers in the early to mid 1900s. During this time period, majority of the workmans were still treating photography not as an art form but more as a hobby. However, after viewing both Bings and Atgets photographs, it can be seen they valued what a unreserved photo offered and used the medium to depict Paris in a way that precise view artists could do on canvas.
One picture that stood out to me was the, Pont Marie, by Eugene Atget. The photograph was actually unique in that it show a bridge hardened in busy Paris, yet it seemed as if the bridge was in the French countryside. The picturesque scene offered insight into a precise serene and calm Paris, an image that very few artists depicted the city in. A unique peculiarity of Atgets photo was the detail and angle the picture was interpreted from.
It seems that majority of his pictures were taken from a corner which added an almost 3-D appeal to the image, and offered a shadowy frame to the figure being photographed. Perhaps the artist uses the bridges as a symbolism for a driveway or gateway into another realm. Another unique feature is the emphasis on the piddle under the picture. The artist manipulates the water by taking the photograph from a corner angle. By doing so, the exact amount of sunshine can be reflected on the water to create an image of a sheer terrain that is continual in all directions. For the time period for which these pictures were taken, the photographer uses very advanced techniques and values the usage of photography to represent a new art form, something very few artists were known for doing in that time period....If you want to get a full essay, come out it on our website: Orderessay
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