Literature in French

The discussion begins with a drawing outline of the cultural and political situations in the Maghreb that have contributed to the brass of this publications and this is followed by a short discussion of motley conceptions of MaghrTbine literature in French. The writers examined here address most of the header conflicts that, while unwelcome in themselves, have never the little made this one of the most vital of postcolonial literatures.

In ecumenical terms, of course, it is hardly possible to speak of MaghrTbine literature as an entity. As Charles Bonn argued, the multiplicity of factors involved can show "qu'il n'existe pas qu'une literature du Maghreb, et que ce dernier gagne au contraire a Otre dTcrit par des voix multiples" (quoted in Redouane 2). Francophone literature only represents some of these voices and many regard them as doubly suspect in view of the connection with colonialism and between class and the mastery of the French language. Francophone writing has even been seen, therefore, as an 'illegitimate' delegacy of expression, one that "poses the threat of a teratology of literary production" (Marx-Scouras 3). In many cases, however, this 'illegitimacy' is actually embraced by writers whose marginalization comes at the transfer of both the hegemonic European world and parts of the traditional Muslim society of their own nations. At the same time many voices are raised in favor of intercult

Orlando, ValTrie. Nomadic Voices of Exile: Feminine Identity in Francophone Literature of the Maghreb. Athens: Ohio UP, 1999.

Mourad undertakes the journey in the company of cardinal other journalists--two French and two Algerian--who represent the array of threats constitutional in independence.

The trip is meant to be about the state's expanded victimization of oil resources in the desert but Mourad finds himself seriously in a bad way(p) by the plight of the indigenous Tuaregs, a Berber people, and the attitudes of his companions: a power Communist (French, male) who has no regard for the traditions of the people the group meets, a fanatically religious Muslim (Algerian, male) who is obsessively interested in exposing the infidels in order to ward off plots to seize Algeria's oil, a journalist who is studying the petroleum industry (French, female) but is more than interested in seducing her companions, and the writer who acts as the group's secretary (Algerian, female) who is more interested in the behavior of the Frenchwoman than in her own reporting.

Ben Jelloun, Tahar. L'Enfant de sable. genus Paris: Seuil, 1985.

urality and take the position that "the plurality of languages and cultures and the dialogue between cultures" is a desirable effect of the confused and conflicted history of the region and an innate aspect of regional and even national identity (Fisher 85).

subsequently the death of Ahmed/Zahra's father s/he begins the attempt to dig up her essential femaleness and in La Nuit sacrTe Zahra embarks on a quest to recover her self. The quest takes place in a series of dream-like episodes in which the relative reality of the earlier young is abandoned in favor of a rather violent imaginary world in which the behavior of the characters becomes a return of extremes related to general attitudes toward women. Woodhull dismisses the novels for their evident "essentialism," claiming that Zahra "discovers her honest being--her true body, her true femininity--in her lovemaki
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