Thursday, November 8, 2012

Death of Salesman- Greatest American Tragedies Ever Dramatized

Willy comes to this conclusion after a series of hurts and disappointments that Miller beautifully contrasts. In early scenes with Willy, his flashbacks atomic number 18 in stark contrast to later scenes of reality. Watching Willy with his sons when they were juvenility during these flashbacks shows us how close the three were, how much Willy hoped for his sons' futures, and how Willy planted the passds of reverse in sack by enabling his irresponsible behavior and by rewarding his youthful bravado. For example, we see how the boys miss Willy when he is on the road. As biff tells his father, "Where'd you go this fourth dimension, Dad? gibibyte we were lonesome for you...Missed you every minute" (Miller, 1976, 30). Willy himself is still full of pretended bravado that I believe he uses to keep himself motivated in the face of reality. When Willy says he will acquit his birth business one day and never have to leave, riant asks him if he will make is as big as Uncle Charley. Willy's reply shows his ambitions rule his sense of reality: "Bigger than Uncle Charley! Because Charley is not liked. He's liked, but he's not well-liked" (Miller, 1976, 30). Later in this flashback Bernard joins the group and insists Biff needs to study math homework if he is to graduate. Willy mocks Bernard as worrisome and anemic, Biff distracts Willy's focus with his sneakers, and when Bernard insists he knows what he is lecture about we see Willy's reaction enables Biff's behavior: (angrily) "Wha


Hynes, Joseph A. "Attention Must be Paid..." Death of a Salesman: Text and Criticism. Ed. Gerald Weales. New York: Viking, 1967. 280-289.

I believe that Willy's frustration, disappointment, and eventual self-destruction are emblematic of many individuals of his era. This is because American set and finale reinforced the "American dream", where everyone could become a advantage and enjoy all the best life had to offer. Most often much(prenominal) a life required going into debt, working(a) endlessly for long hours, and even if attaining success having elfin time to enjoy it. Yet in a culture that values and reinforces corporal success as a central goal, it is heavily not to get sucked into this bog.
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Willy is envious of those who achieve what he believes he was better suited to achieve. Uncle Charley is a symbol of enormous material success, bombastic entrepreneurship, and he displays a "Robber Baron" demeanor. As he exclaims, "William, when I walked into the jungle, I was seventeen. When I walked out I was twenty-one. And, by God, I was rich!" (Miller, 1976, 52).

Willy wanted to instill such a spirit in his boys and also believed he was receptive of such achievements. He tackles the concrete jungle but in the end is old and NOT rich! Furthermore, his sons are not successful on any level he imagined they would be. We see this closely clearly in Biff's recognition that he is nothing. Linda and talented try to keep Biff and Willy believing in their take in dreams. Linda and Happy tell Biff that Oliver will have little resistance to giving him a stake because he so likes Biff. Linda and Happy also try to make Willy believe that Biff's tepid acknowledgement of him is great love. These two enablers and Willy's bombastic confidence have kept Biff from realizing he has lived a lie for most of his life. When he comes home after his dismal failure at Oliver's office, Happy tells him it is because he failed to give him "the old confidence" (Miller, 1976, 104). Biff has seen enough to
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